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Archive for the ‘Bioart’ Category

Textura

Thursday, August 27th, 2009

 

web 0283

lace 0414

 The upper image is a large web made in Cultivamos Cultura in August this year.

The lower image is a large piece of Venetian lace from the 17th century from the Whitworth Art Gallery’s textile collection.

 

The lace piece had several rips and repairs in it’s ground, one repair which can be seen here in the bottom left. These damaged ares and repairs across the collection appear like wounds, scarbs and scars,  the altered darned textures of the lace stand out like the altered architecture of wound tissue in skin. I wondered about returning to the collection and making an investigation of these wounds and scars in the textiles.

Of course the etymology of textile and tissue is the latin L. textura “web, texture, structure,” from stem of textere “to weave,” from PIE base *tek- “to make”, tek being the route of techné - technique, technology.

Posted in spidersilk, spider, webs, spider webs, textile, Biocraft & Edge Practices, Bioarchitecture, Bioart, architecture, Biocraft, Non human animal, School of Biosciences residency | No Comments »

sk-interfaces : Casino Luxembourg

Tuesday, August 18th, 2009

I will make a new version of inthewrongplaceness for the opening of sk-interfaces  at Casino Luxembourg, the action will be photographed and the documents will be exhibited in the space for the remainder of the exhibition.

26 September 2009 - 10 January 2010
(opening Friday 25 September 2009)
SK–INTERFACES

Art Orienté objet, Maurice Benayoun, Zane Berzina, Critical Art Ensemble, Wim Delvoye, Olivier Goulet, Eduardo Kac, Antal Lakner, Yann Marussich, Kira O’Reilly, Zbigniew Oksiuta, ORLAN, Philippe Rahm,  Julia Reodica, Donald Rodney, Stelarc, Jun Takita, The Office of Experiments, The Tissue Culture & Art Project, Sissel Tolaas, Paul Vanouse

Skin is our natural interface to the world – but it is progressively being replaced by technological extensions, some of which can have liberating, other rather new restrictive, effects. The trans-disciplinary exhibition SK–INTERFACES presents about 20 international artists who question the ways in which today’s techno-sciences alter our relation to the world: digital technologies, architecture, tissue cultures, transgenesis, self-experiments or telepresence – the artists appropriate these methods and explore the permeability between disciplines and between art and science. Their interfaces connect us with different species, destabilise our definition of being human today and reflect on the question of satellite bodies.

The exhibition SK–INTERFACES at Casino Luxembourg – Forum d’art contemporain, curated by Jens Hauser, is the extended continuation of a project organised for the European Capital of Culture 2008 at the Foundation for Art and Creative Technology (FACT) in Liverpool.

A number of performances will accompany the exhibition.
Curator: Jens Hauser
in collaboration with FACT (Foundation for Art & Creative Technology) Liverpool

Posted in photography, cell culture, Touch, tissue engineering, skin, tissue culture, Non human animal, Bioart, Performance, live art, action, Ethics, Pigs, Events | No Comments »

Webs & farm fountain : Cultivamos Cultura : Portugal, Aug 09

Monday, August 17th, 2009

Last week I made a short visit to Cultivamos Cultura  in the Alentejo region of Portugal. It’s a new initiative that has been  created by Portuguese artist Marta de Menezes and scientist Luis Graca towards fostering and developing shared knowledges in science, technology and contemporary art.

 My brief visit was to get a flavour of the place and it’s possibilities so that I can make a more protracted visit next year.

The main building has several outhouses attached to it which have laid disused for some time, so a glorious collection of spider webs have accumulated. I became fascinated by the webs and took many photos some of which you can see here.

web grid 03 crop b

 

Farm Fountain

US artists Ken Renaldo and Amy Young made the centres an inaugeral residency for two weeks and within that time created this wonderful sculpture and installation Farm Fountain, images of which you can see here.

It’s a circuit of different living systems around the stucture of a fountain. A solar powered pump  circulates water up from the pond and into the grid of plants. The water is used by the plants and also filtered through the terracotta beads in the plant containers desceneding through the plant grid and back into the fish pond.

On their Flickr site they write:

Farm Fountain was started in our studio 2 years ago as an indoor ecosystem and local food production artwork that we hope others will reproduce. Info and instructions for the home version are available online at farmfountain.com

When I visited Marta topped up the plants, as the weather was so terrifically hot the system requited some human help. There were some great red chillis growing and a fragrant and delicious chocolate mint.

farm fountain small

Posted in webs, silk, spider webs, ecosystem, plants, gardening, spidersilk, spider, Biocraft, architecture, Food, Bioarchitecture, Biocraft & Edge Practices, Bioart | No Comments »

reclothing stripped down hearts and another bioreactor

Thursday, June 11th, 2009

An article in New Scientist, Hybrid Hearts Could Solve Transplant Shortage.

 rat heart profusion

rat heart stripped of it’s cells and ‘reclothed’ with stem cells from another rat.

 or a re-celled rat’s heart (Image downloaded from the New Scientist site and courtesy of the University of Minnesota)

This is a bioreactor profusion pump.

I’m utterly seduced by how incredibly beautiful this image is - and the  engineering. The procedure sounds like one similar to ‘Claudia’s tachea‘, except that the trachea was from a human donor - and implanted into a human called Claudia. The idea of non human animal = virtually limitless supply is fraught with difficulty from my point of view.

See the video here.

These images really do fulfill a kind of contemporary gothic, fueled by biotech anxieties.  The image has strong resonances of photographic representations of TC &A’s Victimless Leather whose framing, lighting and installing deliberately invoke a simimilar gothic aesthetic but one that is deployed in radically different directions. Victimless Leather asks profoundly provocative questions that assume nothing in reagrad to the use and coption of living bodies and materials as resourse, it both sets up and dismantles utopian dreams of that appropriation of life can ever exist outside of power chains that exploit one way or another - depending where on the food chain you are.

But I also wanted to put this image up a a great example of a bioreactor. Here is the Victimless Leather one as well.

 

Victimless Leather 01

 

 

Posted in DIY biotech, photography, Bioarchitecture, bioreactors, tissue engineering, stem cells, cell culture, tissue culture, Non human animals, architecture, Ethics, Pigs, Non human animal, Bioart | No Comments »

speaking of bioreacters

Wednesday, June 10th, 2009

When researching art works that use fat for the previous entry I remembered INCUBRA, and it’s take on creating convivial environments of cell cultures.

INCUBRA

INCUBRA, Fiannaca/Versparget, 2007

 INCUBRA exploits the body’s natural 37 degree temperature - which of course in vitro bodies require as much as incorporated ones. I’m not sure how they did the CO2 though. Perhaps they didn’t. It has to be the most glamerous wearable lab kit I’ve ever seen.

Posted in Bioarchitecture, Touch, fat, DIY biotech, cell culture, architecture, tissue culture, Bioart | No Comments »

Fat Chocolate explorations notes (i)

Monday, June 8th, 2009

Mel Grant, ( see some links to her here, here and here) a molecular biologist School of Biosciences, University of Birmingham, and I have begun some experiments to see if we can feed chocolate to fat cells in the eventual hope of feeding chocolate to lipsuctioned fat cells.

We also want to embed gold particles into fat cells - however this idea has been adjusted to coating fat cells with gold. Nano sculptures within and with out fat.

The evolved from incidental chats in the tea room of the 5th floor lab at the school of Biosciences. Mel mentioned that she was reading medicinal material from  early books archived online, curious cures of extractions that seem both poetic and whimsical and not remotely similar to the dominant contemporary Western allopathic medicine. (Although Chinese Traditional Medicine and Homeopathic Medicine and no doubt many more, use highly poetic and metaphoric language and remedies. That is not to say that terminology in allopathic medical usage is not metaphoric but it’s relationship to material - pharmaceuticals etc. could be described perhaps as more categorical and reductive). We pondered the possibility that dismissal of these approaches and remedies might mean the loss of remedies that actual worked, that had some discreet active ingredient embedded within a vital but seemingly absurd material/object context that current conventional medicine cannot embrace.  She mentioned chocolate as a cure for something or other and somehow we ended up with the idea of feeding chocolate - or rather it’s cocao solid component, to fat cells.

Mel has a colleague who has been working on obesity and has generously agreed to advise and contribute resources for our research, ie. cells -both primary and cell line, consumables - media, and protocols.  So I’m hooked. Rachael Sammons has agreed to help us with SEM imaging of the gold fat cells.

Our first investigations - when I say “our” I mean that I have significant amounts of enthusiasm and conceptual ideas but little “how to do”, especially with ordinary lab bench work. Mel has significant bioscience research experience but also considerable artistic experience - so it’s an entirely asymmetrical partnership!

 Fat cells lab book entry

a note from my lab book that reads:

subcutaneous obese female 1° Adipocytes

visceral adipo - obese female  1° Adipocytes

These were the labels on the two dishes of human primary cells. The cells were contaminated with a variety of bacteria - filements, rods and cocci,  and so had to be destroyed immediately. The bacteria would of come with the cells - from the donor body perhaps of the someone who’d has the cells removed during an operation of some kind. My first task after looking to them was to sprinkle the wells of infected cells with virkon to kill the bacteria and the cells. Knowing that these had come from a human female, woman, person, individual who I could of passed in Sainsburys, sat on a us beside dramatically altered my viewing of them and positioning. They were far more entering an area of subject as opposed to mere material matter like the 3T3 - L1 cell line we were also given. This ongoing destabilising and recapitulation of bodily matter and it’s circulation within and around institutions, ethics and classifications is one of my ongoing preoccupations. I need to work Butler’s Bodies That Matter into this and my other activities in the lab, and Karen Barad but more on that later. (But do read this if you have time Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter, Karen Barad )

We  grated Green and Black 85% dark chocolate and added the following to about 0.5 ml of chocolate.

water

ethanol

DMEM F 12 (a liquid medium used to grow certain types of cells in)

FBS (foetal bovine serum)

Then put it in the 37 degree oven to melt, meld and mix.

FBS container

FBS

fat chocolate day 1 01

FBS, DMEM F 12, grater, dish with grated 85%.

More of each was added to make up 5ml and to encourage dissolve.

fat chocolate day 1 03

Chocolate was also added to  DMSO.

A combination of 2:3 ethanol:FBS was also tried.

chocolate solutions day 1 01

Butanol was added to the chocolate H2O - but not alot happened, apart from the suspended chocolate forming a barrier between the butanol and H2O and my getting a little woozy.

Cremofor - a sun flower oil derivative was added to the H2O one as well, I think, and a glutinous mess formed around the stick.

cremefor container

cremofar, H2O and chocolate

 

More of each was added to make up 5ml and to encourage dissolve.

They were centrtifuged and redissolved to try and get another more lipid extract.

We had discussions about whether the lipids (fat) was the cocoa fat of perhaps lipids for the FBS for example. FBS is also full of albumin, a generic protein that lipids attach to, so it’s a good carries as we want to fat cells to uptake the cocoa solids from the media.

We tried liposomes which are used to deliver material into cells, like DNA, their membrane is bi-lipid so it is not antagonistic to the cell membrane.

Liposomes reminded me of Protocells (it’s a bi-lipid thing) and Rachel Armstrong’s great talk and research on living architecture - she was recently awarded a TED global fellowship.  But that’s an other story.

Add all other links.

Write the plan for the next day.

Ethics of using human primary cells.

Cultural ideas around fat and chocolate

Cite fat as feminist issue etc. Fat is Feminist Issue.

Chocolate and gold.

Precedents for use of fat as an art material.

Elanor Antin, Carving, A Traditional Sculpture, 1972.

Janine Antoni.

Joseph Beuys’ use of fat

Orlan, fat reliqueries.

Stelarc and Nina Sellars, Blender

Adam Fiannaca and Cynthia Verspaget’s INCUBRA held a test tube containing adipose cells from Stelarc and Sellar’s Blender.

Croatian artist Zoran Todorovic, soap made from the artist’s liposuctioned fat. See Suncica Ostoic discuss Todorovic’s work here.

 

 

 

 

Posted in cooking, Bioarchitecture, fat, Molecular biology, cell culture, Ethics, tissue culture, Bioart | 1 Comment »

queering the lab

Monday, June 8th, 2009

Queering the lablab shootVoEdestablisaing

Posted in DIY biotech, cell culture, Blood, Haptic, Touch, tissue culture, writing, Bioart, Events, Performance, live art, action, dance, Ethics, Research | No Comments »

Fat

Friday, June 5th, 2009

Fat cells - from Naomi via Mel

 

and 99% cocao solid experiment with Mel Grant.

Posted in microscopy, Bioarchitecture, cell culture, tissue culture, Biocraft, Bioart | No Comments »

homemade incubator and bioreactor notes from Kira’s kitchen table

Saturday, May 30th, 2009

This conversation about bioreactors and incubators was a tangent to a conversation with Mel Grant yesterday about another tissue culture project.

Mel had a couple of thoughts re: the rotating bioractor idea (as well as talk to Eric)

Tumbler

Gyroscope

Made me think about enclosed spaces and different materials, environments and so on, and the polymer bioreactors of Zbigniew Oksiuta


Posted in Bioarchitecture, Biocraft & Edge Practices, Molecular biology, Biocraft, Bioart, architecture, School of Biosciences residency | No Comments »

homemade incubator and bioreactor notes from Janet’s kitchen table

Tuesday, May 26th, 2009

sodium bicarbonate for CO2 with tartaric acid, maybe add a weak acid vinager or lemon juice - then use to bake soda bread

hygrometer - in wine making - measures water, used to release Co2, equals pressure, can put anti backterial in it.
Pressure valve provides pressure.

glass tube, bung - 2 holes
equaliser
stand
motor
spindle
stand
hybridisation oven @ 37, westerns, dna, rna, protein sticking, used for

spindle movement of bioreactor
rotating, easiest
double spindle movement back and forth as in distaff and spindle for twisting thread
(Janet’s describing this whilst handling a spindle and giving me wool to culture onto)

in diving technologies chemical scrubbers remove CO2

workshop
glassblower

mechano

William Morris - arts and crafts

crows and cell scrappers
rooks and scapers
ravens and broom sticks

more difficult to find food in more changeable climates
anthropomorphic interpretations, human centricities pretending impartial objectifications

Jackie - crow paper in Nature
Graham Martin

Later, espresso in garden, imaginings of further third spaces

Tissue culture laboratories at the bottom of gardens that occupy the garden shed territory, not just to potter and tinker but to think and make and write (poetry in), next to the mutiple organisms of the garden and adjacent to the kitchen with it’s biotechnologies and crafts  of cooking, baking, fermenting.

bioreactor notes_01

lists and ides text superimposed onto a paper

A very simple trick to produce controlled CO2 concentrations in the gas phase overlying cell cultures

Posted in Molecular biology, DIY biotech, Bioarchitecture, drawing, cell culture, Biocraft, tissue culture, Bioart | No Comments »

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